A harrowing psychological thriller from a widely acclaimed filmmaker, Daylight pits a couple lost in America against a conniving gang of kidnappers, in David Barker's rigorous and personal re-imagining of the genre film. Despite its familiar genre elements, Daylight is different - a powerful, shocking piece of vigorous cinema, which fuses eroticism and tenderness with the harrowing weight of pregnancy and kidnapping. On their way to a wedding, Danny and Irene pick up a hitchhiker - throwing the film in the direction of the conventional rural kidnapper thriller. But with the skill of director David Barker and his miraculous cast and crew, Daylight emerges as much, much more than just another exploitation picture. Kidnappers Renny, Leo, and Murphy enact a bizarre and terrifying ritual of politeness, endowing such scenes as the passing of a bread knife at a kitchen table with a threat of ferocious violence - but also trust. Alexandra Meierhans - pregnant as the character Irene, and pregnant in real life - delivers an astonishing performance as the female lead. Simultaneously vulnerable and dangerous, a captive and a seductress, she somehow struggles to survive and endure, bringing the audience along with her through to the shattering conclusion.
Reviews from Rotten Tomatoes
An unusually delicate psychological thriller that favors suggestion over exposition.Jeannette Catsoulis, New York Times, 07.14.2011
Thanks largely to the exceptional actors, particularly Martin and Meierhans, Barker sporadically infuses fresh life into stale cliches, and even makes a few of them truly compelling all over again.Joe Leydon, Variety, 07.14.2011
Replete with superior acting and visual splendor, the film is a fine instance of the overly familiar made fresh.Kevin Thomas, Los Angeles Times, 10.21.2011
Punctuating views of the bucolic countryside and sky attest to nature or God's indifference to human suffering, but such formalist touches don't overwhelm the responsive ensemble work in this resourceful, taboo-prodding sickie.Nick Pinkerton, Village Voice, 07.12.2011