The sublime Barbara Sukowa reteams with director Margarethe von Trotta (Vision, Rosa Luxemburg) for her brilliant new biopic of influential German-Jewish philosopher and political theorist Hannah Arendt. Arendt’s reporting on the 1961 trial of ex-Nazi Adolf Eichmann in The New Yorker—controversial both for her portrayal of Eichmann and the Jewish councils—introduced her now-famous concept of the “Banality of Evil.” Using footage from the actual Eichmann trial and weaving a narrative that spans three countries, von Trotta beautifully turns the often invisible passion for thought into immersive, dramatic cinema.
Reviews from Rotten Tomatoes
[Barbara Sukowa] invests Arendt with a steely fury, but the film, set during and after the 1961 trial of ex--Nazi official Adolf Eichmann, has an entertaining cocktail-banter superficiality.Owen Gleiberman, Entertainment Weekly, 10.04.2013
Balanced portrayal, makes a persuasive case that Arendt was a valuable voice, whose dedicated work in trying to unravel the causes of Europe's moral collapse was worthy of study and consideration.Mick LaSalle, San Francisco Chronicle, 08.01.2013
Mixed bag, fascinating in its treatment of the Eichmann case, but stilted in its treatment of Arendt and her coterie.John Anderson, Newsday, 06.20.2013
Like A Hidden Method, David Cronenberg's drama about Sigmund Freud and Carl Jung, Hannah Arendt takes seriously the life of the mind.Bill Stamets, Chicago Sun-Times, 08.16.2013