Based on two works by the playwright Jean Anouilh, You Ain't Seen Nothin' Yet opens with a who's-who of French acting royalty (including Mathieu Amalric, Michel Piccoli and frequent Resnais muse Sabine Azema) being summoned to the reading of a late playwright's last will and testament. There, the playwright (Denis Podalydes) appears on a TV screen from beyond the grave and asks his erstwhile collaborators to evaluate a recording of an experimental theater company performing his Eurydice—a play they themselves all appeared in over the years. But as the video unspools, instead of watching passively, these seasoned thespians begin acting out the text alongside their youthful avatars, looking back into the past rather like mythic Orpheus himself.
Reviews from Rotten Tomatoes
Though Resnais' gamble seems to have failed, it's encouraging to see a director on the brink of 90 still willing to experiment in a way most helmers half his age wouldn't dare.Peter Debruge, Variety, 05.23.2012
Resnais' occasional use of split-screen and other traditional special effects enhances the picture's various dualities, dreamy quality and decided staginess.Gary Goldstein, Los Angeles Times, 07.04.2013
This reflection on the past, love and death through the prism of layers of theatrical endeavor is both serious and frisky, engaging on a refined level but frustratingly limited in its complexity and depth.Todd McCarthy, Hollywood Reporter, 05.21.2012
"You Ain't Seen Nothin' Yet" is a sly, elegant meditation on the relationship between reality and artifice. But it is a thought-experiment driven above all by emotion.A.O. Scott, New York Times, 06.06.2013