Ben Stiller and Eddie Murphy lead an all-star cast in Tower Heist, a comedy caper about working stiffs who seek revenge on the Wall Street swindler who stiffed them. After the workers at a luxury Central Park condominium discover the penthouse billionaire has stolen their retirement, they plot the ultimate revenge: a heist to reclaim what he took from them. Queens native Josh Kovacs (Stiller) has managed one of the most luxurious and well-secured residences in New York City for more than a decade. Under his watchful eye, nothing goes undetected. In the swankiest unit atop Josh's building, Wall Street titan Arthur Shaw (Alan Alda) is under house arrest after being caught stealing two billion from his investors. The hardest hit among those he defrauded? The tower staffers whose pensions he was entrusted to manage. With only days before Arthur gets away with the perfect crime, Josh's crew turns to petty crook Slide (Murphy) to plan the nearly impossible...to steal what they are sure is hidden in Arthur's guarded condo. Though amateurs, these rookie thieves know the building better than anyone. Turns out they've been casing the place for years, they just didn't know it.
- Brett Ratner
- Ben Stiller, Eddie Murphy, Matthew Broderick, Téa Leoni, Gabourey Sidibe, Casey Affleck, Stephen Henderson, Judd Hirsch, Michael Peña, Alan Alda
Reviews from Rotten Tomatoes
Tower Heist feigns being an Ocean's 11 for schmucks, but plays like a retread of 48 Hours.Scott Bowles, USA Today, 11.03.2011
Between the protracted setup and the fizzled execution, however, Tower Heist finds a nice comic groove in the job's planning stages, when Murphy finally bursts onto the scene and pings jokes off his timid counterparts.Scott Tobias, NPR, 11.04.2011
It's a cunningly engineered movie that's as much fun as "Ocean's 11," a tale of a Renoir of ripoff who matches skills with freewheeling, improvisational rivals -- the Jackson Pollocks of plunder.Kyle Smith, New York Post, 11.03.2011
"Tower Heist" is an improbably satisfying action comedy, the kind of wax-on-wax-off, slickly machined Hollywood widget that meets its audience's expectations without once aspiring to exceed them.Ann Hornaday, Washington Post, 11.03.2011